Here is an interesting excerpt on cockfight and Balinese men taken from Clifford Geertz’s writing entitled “Deep Play: Notes on the Balinese Cockfight”. It will give you an interesting insight on the relation between cockfight and Balinese men
As much of America surfaces in a ball park, on a golf links, at a race track, or around a poker table, much of Bali surfaces in a cock ring. For it is only apparently cocks that are fighting there. Actually, it is men.
To anyone who has been in Bali any length of time, the deep psychological identification of Balinese men with their cocks is unmistakable. The double entendre here is deliberate. It works in exactly the same way in Balinese as it does in English, even to producing the same tired jokes, strained puns, and uninventive obscenities. Bateson and Mead have even suggested that, in line with the Balinese conception of the body as a set of separately animated parts, cocks are viewed as detachable, self-operating penises, ambulant genitals with a life of their own. And while I do not have the kind of unconscious material either to confirm or disconfirm this intriguing notion, the fact that they are masculine symbols par excellence is about as indubitable, and to the Balinese about as evident, as the fact that water runs downhill.
The language of everyday moralism is shot through, on the male side of it, with roosterish imagery. Sabung, the word for cock (and one which appears in inscriptions as early as A.D. 922), is used metaphorically to mean “hero,” “warrior,” “champion,” “man of parts,” “political candidate,” “bachelor,” “dandy,” “lady-killer,” or “tough guy.” A pompous man whose behavior presumes above his station is compared to a tailless cock who struts about as though he had a large, spectacular one. A desperate man who makes a last, irrational effort to extricate himself from an impossible situation is likened to a dying cock who makes one final lunge at his tormentor to drag him along to a common destruction. A stingy man, who promises much, gives little, and begrudges that is compared to a cock which, held by the tail, leaps at another without in fact engaging him. A marriageable young man still shy with the opposite sex or someone in a new job anxious to make a good impression is called “a fighting cock caged for the first time.” Court trials, wars, political contests, inheritance disputes, and street arguments are all compared to cockfights. Even the very island itself is perceived from its shape as a small, proud cock, poised, neck extended, back taut, tail raised, in eternal challenge to large, feckless, shapeless Java.
But the intimacy of men with their cocks is more than metaphorical. Balinese men, or anyway a large majority of Balinese men, spend an enormous amount of time with their favorites, grooming them, feeding them, discussing them, trying them out against one another, or just gazing at them with a mixture of rapt admiration and dreamy self-absorption. Whenever you see a group of Balinese men squatting idly in the council shed or along the road in their hips down, shoulders forward, knees up fashion, half or more of them will have a rooster in his hands, holding it between his thighs, bouncing it gently up and down to strengthen its legs, ruffling its feathers with abstract sensuality, pushing it out against a neighbor’s rooster to rouse its spirit, withdrawing it toward his loins to calm it again Now and then, to get a feel for another bird, a man will fiddle this way with someone else’s cock for a while, but usually by moving around to squat in place behind it, rather than just having it passed across to him as though it were merely an animal.
In the houseyard, the high-walled enclosures where the people live, fighting cocks are kept in wicker cages, moved frequently about so as to maintain the optimum balance of sun and shade. They are fed a special diet, which varies somewhat according to individual theories but which is mostly maize, sifted for impurities with far more care than it is when mere humans are going to eat it and offered to the animal kernel by kernel. Red pepper is stuffed down their beaks and up their anuses to give them spirit. They are bathed in the same ceremonial preparation of tepid water, medicinal herbs, flowers, and onions in which infants are bathed, and for a prize cock just about as often. Their combs are cropped, their plumage dressed, their spurs trimmed, their legs massaged, and they are inspected for flaws with the squinted concentration of a diamond merchant. A man who has a passion for cocks, an enthusiast in the literal sense of the term, can spend most of his life with them, and even those, the overwhelming majority, whose passion though intense has not entirely run away with them, can and do spend what seems not only to an outsider, but also to themselves an inordinate amount of time with them. “I am cock crazy,” my landlord, a quite ordinary afficionado by Balinese standards, used to moan as he went to move another cage, give another bath, or conduct another feeding. “We’re all cock crazy.”
The madness has some less visible dimensions, however, because although it is true that cocks are symbolic expressions or magnifications of their owner’s self, the narcissistic male ego writ out in Aesopian terms, they are also expressions- and rather more immediate ones-of what the Balinese regard as the direct inversion, aesthetically, morally, and metaphysically, of human status: animality.
The Balinese revulsion against any behavior as animal-like can hardly be overstressed. Babies are not allowed to crawl for that reason. Incest, though hardly approved, is a much less horrifying crime than bestiality. (The appropriate punishment for the second is death by drowning, for the first being forced to live like an animal.) Most demons are represented-in sculpture, dance, ritual, myth-in some real or fantastic animal form. The main puberty rite consists in filing the child’s teeth so they will not look like animal fangs. Not only defecation but eating is regarded as a disgusting, almost obscene activity, to be conducted hurriedly and privately, because of its association with animality. Even falling down or any form of clumsiness is considered to be bad for these reasons. Aside from cocks and a few domestic animals-oxen, ducks-of no emotional significance, the Balinese are aversive to animals and treat their large number of dogs not merely callously but with a phobic cruelty. In identifying with his cock, the Balinese man is identifying not just with his ideal self, or even his penis, but also, and at the same time, with what he most fears, hates, and ambivalence being what it is, is fascinated by-The Powers of Darkness.
The connection of cocks and cockfighting with such Powers, with the animalistic demons that threaten constantly to invade the small, cleared off space in which the Balinese have so carefully built their lives and devour its inhabitants, is quite explicit. A cockfight, any cockfight, is in the first instance a blood sacrifice offered, with the appropriate chants and oblations, to the demons in order to pacify their ravenous, cannibal hunger. No temple festival should be conducted until one is made. (If it is omitted someone will inevitably fall into a trance and command with the voice of an angered spirit that the oversight be immediately corrected.) Collective responses to natural evils-illness, crop failure, volcanic eruptions-almost always involve them. And that famous holiday in Bali, The Day of Silence (Njepi), when everyone sits silent and immobile all day long in order to avoid contact with a sudden influx of demons chased momentarily out of hell, is preceded the previous day by large-scale cockfights (in this case legal) in almost every village on the island.
In the cockfight, man and beast, good and evil, ego and id, the creative power of aroused masculinity and the destructive power of loosened animality fuse in a bloody drama of hatred, cruelty, violence, and death. It is little wonder that when, as is the invariable rule, the owner of the winning cock takes the carcass of the loser- often torn limb from limb by its enraged owner-home to eat, he does so with a mixture of social embarrassment, moral satisfaction, aesthetic disgust, and cannibal joy.
source:blog.baliwww.com/
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